Saturday, July 23, 2022

shelley roden | i had fun making it


The cue sheet for “Lightyear” had more than a thousand entries. Not every cue would make it into the final mix, a reality the team addressed with admirable ego detachment. When a sound gets cut or drowned out, Roden told me, she tries to take the attitude “I had fun making it. I loved it. It was loved at one point.”

Shelley Roden, sound effects artist

Friday, July 22, 2022

lauren groff on flannery o'connor


In some ways, I’m a Southern writer (though not exclusively one), and I think it’d be impossible to be any kind of Southern writer writing about the nineteen-fifties without thinking of Flannery O'Connor.
 I have a deeply complicated relationship with her work; though I do feel in conversation with it, it’s not always a civil conversation. Sometimes, it’s a blistering argument. I love so much about O’Connor—her wit, her daggers, her fury—and, at the same time, I also find her brand of Catholicism hard to take, or maybe internally incongruent, since her stories read to me as if she actually ascribes to the Calvinist idea of double predestination, that God has already decided who will be saved and who will be damned. I get the impression that she sees nearly everyone as already damned, which strikes me as both cynical and fundamentally untrue. I love human beings enough to trust that they will try to do their best, and will always be disappointed when their worst selves take over. I think we’re all equally saved and damned, and all of our dark and light angels wrestle ceaselessly, and there will never be a clear winner even at the moment of death. In the case of some artists, those same angels will keep wrestling in the work after death, as long as there is an audience to witness it.

the new yorker, july 4, 2022
conversation about her short story To Sunland

Tuesday, July 19, 2022

tim klein | the mercy-go-round

 


tim klein

ian frazier | bullshit detector


I do not have a bullshit detector. I used to have one, but I don’t even know where it is anymore—maybe out in the garage. It was an awkward thing, like one of those little roll-aboard briefcases, but made of bright-orange high-impact plastic, and it didn’t work very well. It was O.K. on ordinary, everyday bullshit, but it could not detect cant. It was also not too reliable on sanctimony or pomposity, and only so-so on hypocrisy. Supposedly, it could puncture self-importance, but I could never get that feature to turn on. Over all, the detector was more trouble than it was worth, so I quit using it.

I read recently about someone who had a “built-in” bullshit detector! I am completely unable to picture how that might work, but, then, I would not be the person to ask. Kids, I’m told, have built-in bullshit detectors, so maybe you need to be young. Like a lot of older consumers, I have not kept up on the technology. 

Living without a bullshit detector can be peaceful and relaxing. As you know, there is a lot of bullshit out there, and I got sick of having the alarm go off all the time. On the other hand, I do feel a need for the ol’ detector occasionally.

etc...

Ian Frazier
The New Yorker | May 30, 2022

Sunday, July 10, 2022

tomas transtromer | allegro


After a black day, I play Haydn,

and feel a little warmth in my hands.

 

The keys are ready.  Kind hammers fall.

The sound is spirited, green, and full of silence.

 

The sound says that freedom exists

and someone pays no taxes to Caesar.

 

I shove my hands in my hadynpockets

and act like a man who is calm about it all.

 

I raise my haydnflag.  The signal is:

"We do not surrender.  But want peace."

 

The music is a house of glass standing on a slope;

rocks are flying, rocks are rolling.

 

The rocks roll straight through the house

but every pane of glass is still whole.

 

 

by Tomas Transtromer

tr Robert Bly

Friday, July 08, 2022

tomas transtromer | the scattered congregation`


I.
We got ready and showed our home.
The visitor thought: you live well.
The slum must be inside you.

II.
Inside the church, pillars and vaulting
white as plaster, like the cast
around the broken arm of faith.

III.
Inside the church there's a begging bowl
that slowly lifts from the floor
and floats along the pews.

IV.
But the church bells have gone underground.
They're hanging in the sewage pipes.
Whenever we take a step, they ring.

V.
Nicodemus the sleepwalker is on his way
to the Address.  Who's got the Address?
Don't know.  But that's where we're going.


tr. Robert Bly

Monday, July 04, 2022

john shaw | for the 4th of july


We ate the flag,

a cheese cake one with

berry stripes, sweet 

after the tangy barbeque and the bite of beer.

But all night long we burped up stars

bursting like fireworks

in the black bedroom.

 

I lie awake in the night

wondering why we celebrate our country?

 

Back on childhood’s Western Avenue,

the rows of corn stand knee-high next to the freeway.

In Summer’s thumping heat,

I had swimming lessons in the blue village pool.

My sister hung me out the upstairs window.

 

JFK turns to his side, in a car,

and dies. We rent a TV to see

the funeral, my father standing

on the linoleum

when they play the star spangled.

 

We are on holiday at Cape Cod,

and a shirt-ful of steamers

is set for boiling and bowls of butter.

 

My father took me to Chicago in the train,

and we rode in an elevator

to his desk in the sky-

scraper, and sat me in his leather chair

with my legs hanging down.

 

Later, Martin Luther King Jr. leans on a railing

holding the bullets inside,

but no one told me. 

None of us stood up for him. 

 

Nor did I understand my childhood’s war

in the other world

of bamboo and napalm, and the color

of the cake was agent orange

and there was so little sweetness.


2

 

And how we slid from being 

an engine in the world, 

full of zest and freshness, 

to this fat self-interest. 

How greed waxed, and joy waned,

until history was just trotted out

once a year to justify guns, or fresh excess.

 

How squabbles were fanned into fires

and we lost the union, consumed for 

short profits and the gratification

of a few.

 

When our collapse came

we barely noticed:

we were bickering like spoilt kids

as the car left the asphalt, 

The tires shuddering in the air.

As we tumble, 

I wonder, 

Are the words that choke us 

grateful to be free of us at last,

so that life, liberty, and the pursuit

of happiness

can find new throats, 

new champions with less 

avarice and more need?

Saturday, July 02, 2022