Wednesday, June 28, 2023

my movie montages


I love the movies. And I like making things. So I spend a lot of time making movies out of the movies. Here are links to some of my ongoing montage projects.  (Note: They're always best with headphones, or good speakers. The bigger the screen the better.)

Here's the latest...

or one month at a time...
A Month At The Movies In Two And A Half Minutes 
October | dates only | dates + titles 
November | dates only | dates + titles   
I prefer the versions with no titles, just a stream of images and sound. But if you're curious about what movies the clips are from, or about the events depicted, there are versions including those things as well 

Date Movies
The whole obsession began with the project of finding date references in movies.  It started with watching The Longest Day on June 6, 2004, which led to the search to find one movie for each day in the calendar year. Which led to finding a lot more than one movie clip for each day of the year. Which led to making montages for specific days, usually the birthdays of friends. I've created maybe seventy of the darn things, but most of them were posted on a defunct Vimeo account. Here are links to a handful I've put up on the YouTubes.
Jan 6  
Jun 7  
Sep 2  
Dec 22  
 
Dial V for Video
A tribute to video stores, a trailer for International Independent Video Store Day. 40 movies in 4:32.  Here.  

Good Time Diner
My son-in-law plays in a band, and they thought it would be a blast to project movie clips behind them while they play, and during breaks. So I got to make some really long montages! Welcome to the diner! Here's a minute-and-a-half trailer for one of their gigs, but unfortunately there are some restrictions for viewing the longer montages at the moment.  When I get those sorted out, I'll post links here. In case anybody's got 45 minutes to spare sometime...  ,

NT GUILTY: You need a good lawyer?
Movie clips about lawyers and the law, a graduation present for my daughter Katie's graduation from law school. Probably my favourite. Montage, not daughter.  Here

The Movies Go To The Movies: Marquees
A chronology of movie-going, as seen in the movies. A work in progress; here's how far I got by May 30 last year, starting with a 1915 screening of "The Curse Of Drink" at The Gem (from the film "On Moonlight Bay") through to "The Bicycle Thief" at The Rialto in 1991 (as seen in "The Player"). 

Earth Day International Film Festival: End of the World Edition
And here's the trailer for an imaginary film festival. Just for fun.

Thursday, June 08, 2023

photo | noel wong | onward


 kyoto, japan

robert pirosh | cover letter


Dear Sir:

I like words. I like fat buttery words, such as ooze, turpitude, glutinous, toady. I like solemn, angular, creaky words, such as straitlaced, cantankerous, pecunious, valedictory. I like spurious, black-is-white words, such as mortician, liquidate, tonsorial, demi-monde. I like suave "v" words, such as Svengali, svelte, bravura, verve. I like crunchy, brittle, crackly words, such as splinter, grapple, jostle, crusty. I like sullen, crabbed, scowling words, such as skulk, glower, scabby, churl. I like Oh-Heavens, my-gracious, land's-sake words, such as tricksy, tucker, genteel, horrid. I like elegant, flowery words, such as estivate, peregrinate, elysium, halcyon. I like wormy, squirmy, mealy words, such as crawl, blubber, squeal, drip. I like sniggly, chuckling words, such as cowlick, gurgle, bubble and burp.


I like the word screenwriter better than copywriter, so I decided to quit my job in a New York advertising agency and try my luck in Hollywood, but before taking the plunge I went to Europe for a year of study, contemplation and horsing around.


I have just returned and I still like words. May I have a few with you?




A New York copywriter by the name of Robert Pirosh quit his well-paid job and headed for Hollywood in 1934, determined to begin the career of his dreams as a screenwriter. When he arrived, he gathered the names and addresses of as many directors, producers and studio executives as he could find and sent them what is surely one of the greatest, most effective cover letters ever to be written; a letter which secured him three interviews, one of which led to his job as a junior writer at MGM. Fifteen years later, Pirosh won an Oscar for best original screenplay for his work on the war film BATTLEGROUND. A few months after that, he also won a Golden Globe.