Wednesday, September 25, 2024

the hardy boys and the secret of the deconstructed manuscript | ron reed, from franklin w. dixon


The Hardy Boys and
The Secret of the Deconstructed Manuscript


Chapter One

 

     "After the help we gave dad on that forgery case I guess he'll begin to think we could be detectives when we grow up." 

     It was a bright Saturday morning in June, and although the city sweltered in the heat, cool breezes blew in from the bay. 

     "I don't see him," said Frank Hardy, the older of the pair, as he watched the passengers descending from one of the Pullman coaches.  Frank Hardy grinned ruefully and shook his head. "I'd give anything to be working with him on a case like that." 

     "And Martin's car was brand new," called back Chet Morton. "Hope it comes soon -- I don't want to get rusty." 

     "This is great!" shouted Frank. "Where would they be now if they'd been afraid to go up in an airplane!" 

     "For thirty cents," said Chet, solemnly, "I'll just get enough food to work up a good appetite for supper." 

     "Looks mad about something," said Joe. "What is it! What is it!" asked Joe, nudging him anxiously. 

     Then the skies seemed to open. 

 

     Fenton Hardy, a famous detective, the father of the Hardy Boys, had sent his sons to Larchmont to procure some handwriting specimens from a client of his, a Miss Pennyweather. "There is still another mystery, as I see from this note," he said. "The fellows say it's a wow. They're divers." 

     "Here's hoping you find your money, Frank!" 

     "What do you mean one piece!" 

     "There, I guess I'm better now," he gurgled finally. "Just look at this room." 

     Fenton Hardy looked at his watch. This sounded promising. 

     Then Chet's voice came through again. He said his name was John Mead, and asked them theirs. 

     Fenton Hardy was one of the most brilliant private detectives in the United States. 

     "Carpenter," Frank mused. "That name sounds familiar." 

     "He's the best detective in this part of the country." 

     "Jumping cows!" Frank exclaimed. Frothy whitecaps slapped over the side of the boat as it rocked dangerously in the turbulent sea. 

     A new voice interrupted him. "Joe, is that you?" asked a crisp feminine voice. 

     "Yellow Feather?" Joe repeated. Frank was serious and an honor student, while Joe was rather impulsive but always dependable. 

     "Must've tasted pretty good the first day." Joe laughed. 

     The old fellow, who was wearing a cap which shaded most of his wrinkled face, appeared to be deaf. 

     They stared at the paper, completely baffled by the cryptic message. Only the far north was frigid, Joe recalled from his geography lessons. "It's more fun exploring caves than swabbing decks," he mumbled.

     He introduced himself and the others. "Another mystery! I will advise progress. " 

     "I don't know," Mr Weaver said. "They've already tried to solve the case. Inquiries among the workers had shed no light on the identity of the saboteurs."

     The gaunt magician wore a top hat, flowing black cape, and carried a silver-handled cane. 

     It was highly unusual for Mr. Hardy to contact his family while working undercover and both boys were on the alert. Frank and Joe made careful note of their father's warning, because Fenton Hardy was an expert in detective work and security. 

     "However, there's no harm done as long as the broken glass is cleaned up and the window repaired." 

     He lifted a sheaf of papers from his desk drawer. "We'll try," Frank said, "if we can find him. He took it from Saffel and gave it to the Greek."

     Frank pulled the car over to the side. He heard a crack, then nothingness. 

 

     The boys crossed rickety wooden bridges over slowly meandering streams where windmills stood on the banks, their sails revolving lazily in the breeze. Then the boys heard a scuffling noise. 

     "We'll be glad to do whatever we can, sir." 

      “Good idea!”

     The Hardys rushed out to the lawn and Frank knelt over the strange thing. And a bank employee named Thurbow remembered that Mike showed some interest in the alarm system while he was here. 

     "It’s just that we ran some lab tests on gold for one of our clients. That's my secret!" 

     "Hey, it's a skull!" Frank cried. "We've got to meet our dad at the Treat Hotel in Oak Knolls." 

     "See you later." 

     "Yes. Please do." 

     "But it doesn't tell us where he is," Joe mused. "Are you baking pie today, Aunt Gertrude?" 

     "Duck!" called Iola. 

      The voice on the other end was so low that he could hardly hear it. Frank and Joe tingled with excitement. "Then tell us where our father is!" Joe demanded. 

      Miss Hardy got out of the car. The gruesome-looking object was made from black bristles of the sort used in paintbrushes. Frank turned to Chet and Joe.

     "I have no idea."  

     "What's that, Dad?" Frank asked eagerly, his face brightening. 

     "His dog disappeared last night, and nothing anybody can do is goin' to make him feel any better. Why, once you're on the ground, you can't see them at all! And what do you know?" 

 

     The next morning, however, the brothers were heartened by an early telephone call from Chet Morton, who said that he had completely recovered from his head injury. 

     A moment later Abdul reappeared. "I just left your home on Elm Street," Bowden replied. 

     "What did he say?" the Hardys asked eagerly. 

     "The falcon meant no harm. He told me that his health was failing rapidly, and he wanted to tell me about the Yellow Feather." 

     "Let him go, Joe," she advised. "I think such a trip would be good experience for you boys, and besides, it might even work in with the case I asked you to help on." 

     "Whew!" said Frank in relief. 

     "Across the face of the message," the general proceeded, "were the letters CSA." He himself continued to probe the cushions. 

     "Let me have a look," Frank suggested. There was no response. 

     "It's an odd key," Mr. Hardy remarked, examining the ornamented piece of metal closely. "Keep bidding!" 

     "Aunt Gertrude!" yelped Frank. He handed the telephone to the elderly scientist, who looked astonished. "Look at the sign!" 

     With Chet puffing along behind them the boys made a quick round of Bayport, not omitting the poorer stores skirting the edge of Barmet Bay on the east side of town. 

     There came a shout almost at his elbow, followed by a piercing scream. The old lady shrieked again. 

     Before the boys had time to collect their wits, the strangers, muttering threats, gunned their motor and headed swiftly for the opposite shore of the bay. In there the boys could see the Rialto cashier standing with his back to the wall, his arms raised above his head. 

     "That fellow Vilnoff is a real nuisance." 

     As the boys approached Cabin 19, which was their stateroom, Joe suddenly halted and grasped Frank by the arm. "Isn't that man over there the one who damaged our boat a while ago?" 

     "How did it happen?" asked Joe curiously. 

     "When you boys are as old as I am, you'll have sense enough to know that you shouldn't let every Tom, Dick and Harry into the house." 

     They all sensed that the blond man was an intruder. 

     Frank switched off the flashlight. "Do you hear me? We'll have to rescue her!" he said 

     There was no time to stop. The face of the cliff seemed a long distance away. The sailboat was lying directly in the path of the Envoy. "And by now he is miles away, probably getting ready to work the same trick at the next station." 

     At that moment there was a startling interruption. The automobile came hurtling toward them!

 

*


This peculiar experiment involves two sentences from each of the 58 original Hardy Boys books; the first sentence from the first book (The Tower Treasure, 1927), the second sentence from the second (The House on the Cliff, 1927), and so on until the fifty-eighth sentence from #58, The Sting of the Scorpion (1979).  Followed by the fifty-eighth-last sentence from Chapter One of #58, then the fifty-seventh-last sentence from Chapter One of #57 (The Firebird Rocket, 1978), and so on until the last sentence of the first chapter of The Tower Treasure.    

my movie montages


I love the movies. And I like making things. So I spend a lot of time making movies out of the movies. Here are links to some of my ongoing montage projects.  (Note: They're always best with headphones, or good speakers. The bigger the screen the better.)

Here's the latest...

or one month at a time...
A Month At The Movies In Two And A Half Minutes 
October | dates only | dates + titles 
November | dates only | dates + titles   
I prefer the versions with no titles, just a stream of images and sound. But if you're curious about what movies the clips are from, or about the events depicted, there are versions including those things as well 

Date Movies
The whole obsession began with the project of finding date references in movies.  It started with watching The Longest Day on June 6, 2004, which led to the search to find one movie for each day in the calendar year. Which led to finding a lot more than one movie clip for each day of the year. Which led to making montages for specific days, usually the birthdays of friends. I've created maybe seventy of the darn things, but most of them were posted on a defunct Vimeo account. Here are links to a handful I've put up on the YouTubes.
Jan 6  
Jun 7  
Sep 2  
Dec 22  
 
Dial V for Video
A tribute to video stores, a trailer for International Independent Video Store Day. 40 movies in 4:32.  Here.  

Good Time Diner
My son-in-law plays in a band, and they thought it would be a blast to project movie clips behind them while they play, and during breaks. So I got to make some really long montages! Welcome to the diner! Here's a minute-and-a-half trailer for one of their gigs, but unfortunately there are some restrictions for viewing the longer montages at the moment.  When I get those sorted out, I'll post links here. In case anybody's got 45 minutes to spare sometime...  ,

NT GUILTY: You need a good lawyer?
Movie clips about lawyers and the law, a graduation present for my daughter Katie's graduation from law school. Probably my favourite. Montage, not daughter.  Here

The Movies Go To The Movies: Marquees
A chronology of movie-going, as seen in the movies. A work in progress; here's how far I got by May 30 last year, starting with a 1915 screening of "The Curse Of Drink" at The Gem (from the film "On Moonlight Bay") through to "The Bicycle Thief" at The Rialto in 1991 (as seen in "The Player"). 

Earth Day International Film Festival: End of the World Edition
And here's the trailer for an imaginary film festival. Just for fun.

Saturday, September 21, 2024

photo | andrei furnea

 

"I am captivated by the human loneliness often found in big cities."

Tuesday, September 03, 2024

daniel cowper | making my confession

This is a true story. One wet
March night when I was nearly set to wed

the Wrong One, a friend's semblance shaking
with anger barged into my dream. Making

yourself miserable, it spat, and for what? What for?
My friend's image stamped its foot and swore--

I woke, and called my would-be fiancé
to break it off. Why? Why? What could I say?

A dream told me to? The guilt, like liquid glue,
hardened. But what the dream said was true,

and undeniable once heard, like the tale
Jonah told of flightless birds inside the whale,

bony feathers clacking like the hollow limbs
of crabs. Within our fog of wants and whims,

something's emitting heat as if it were alive.
It hums in there like a fire or a beehive,

and I'm grateful for it, for the lizard's tails
it ejects, writhing, on the hearth's cracked tiles.

Frightening questions, warnings sent -- like that wet
night in March, when I was set to wed.


published in The Windhover
volume 28.2, 2024